Eddie Adams/Associated Press, via Morgan Cooper
Productions
A movie review over at Pinch's Dog's Breakfast.
Eddie Adams personally apologized to General Nguyen for that photo.
Oddly NPR has far higher standards of candor and complexity when speaking of this film and Eddie Adams:
But the Pulitzer Prize Adams won for this photograph left him pained and conflicted for the rest of his life.
Because of the draft, says Arnett, most journalists chronicling Vietnam had been in the military. They could relate to the troops and had a better understanding of what was going on. Adams, who had been a combat photographer with the U.S. Marine Corps in Korea, loved the Marines, and many of his best photographs are of Marine operations.
But his most famous and most disturbing photograph was shot on the streets of Cholon, the Chinese section of Saigon. The incident took place on the second day of the Tet Offensive in 1968, a watershed battle that changed public perceptions of the war. Adams saw a soldier drag a man in a checkered shirt out of a building. In the documentary An Unlikely Weapon: The Eddie Adams Story, Adams describes what happened.
Such a compelling and complicated story so rich in everything involving conflict, influence, power, duty, brotherhood, justice, honor...and on...and on.
The Times does not want to dwell. Compare the above with their consideration of that iconic image and it's profound entanglements:
"Directed by Susan Morgan Cooper, the movie abounds with striking pictures from Mr. Adams’s long career (he died in 2004), but it keeps coming back to the one he snapped on Feb. 1, 1968, in Saigon: a photograph of a Vietcong prisoner being executed on the street, immortalized during the split second before the bullet exited his skull. One of the most famous images of the 20th century, it was a photo that changed Mr. Adams’s life and possibly the course of the Vietnam War. The strongest material in “An Unlikely Weapon” contemplates the import of that shot, and of photojournalism itself, on the events of its time. The rest charts Mr. Adams’s subsequent career, from duck hunting with Fidel Castro to oceanfront sessions with Penthouse centerfolds, with perfunctory admiration. "
The New York Times needs to heed it's own simple narrative at all times. It needs even more for us to be unaware of any other narratives. This perfectly encapsulates their technique. Mention little, so little you encourage your very customer to continue onward without consideration. Leave enough, however, for you to argue that the notion was in the text if confronted.
Don't trust their coverage of Mexico, nor anything connected. Not that any sane person would trust any of their coverage.
By the way, what was that weapon General Nguyen used? Was that a J frame?
Productions
A movie review over at Pinch's Dog's Breakfast.
Eddie Adams personally apologized to General Nguyen for that photo.
Oddly NPR has far higher standards of candor and complexity when speaking of this film and Eddie Adams:
But the Pulitzer Prize Adams won for this photograph left him pained and conflicted for the rest of his life.
Because of the draft, says Arnett, most journalists chronicling Vietnam had been in the military. They could relate to the troops and had a better understanding of what was going on. Adams, who had been a combat photographer with the U.S. Marine Corps in Korea, loved the Marines, and many of his best photographs are of Marine operations.
But his most famous and most disturbing photograph was shot on the streets of Cholon, the Chinese section of Saigon. The incident took place on the second day of the Tet Offensive in 1968, a watershed battle that changed public perceptions of the war. Adams saw a soldier drag a man in a checkered shirt out of a building. In the documentary An Unlikely Weapon: The Eddie Adams Story, Adams describes what happened.
One of Adams' frames was the very instant the bullet entered the man's head — the moment of death.
More here:
"Except Eddie Adams wishes he never took the picture.
The two men stayed in touch, and Adams tried to apologize many times.
General Loan died a year and a month ago. He left a wife and five kids. Most of the obituaries were, like the photograph that ruined his life, two dimensional and unforgiving. Adams sent flowers with a card that read, "I'm sorry. There are tears in my eyes."Such a compelling and complicated story so rich in everything involving conflict, influence, power, duty, brotherhood, justice, honor...and on...and on.
The Times does not want to dwell. Compare the above with their consideration of that iconic image and it's profound entanglements:
"Directed by Susan Morgan Cooper, the movie abounds with striking pictures from Mr. Adams’s long career (he died in 2004), but it keeps coming back to the one he snapped on Feb. 1, 1968, in Saigon: a photograph of a Vietcong prisoner being executed on the street, immortalized during the split second before the bullet exited his skull. One of the most famous images of the 20th century, it was a photo that changed Mr. Adams’s life and possibly the course of the Vietnam War. The strongest material in “An Unlikely Weapon” contemplates the import of that shot, and of photojournalism itself, on the events of its time. The rest charts Mr. Adams’s subsequent career, from duck hunting with Fidel Castro to oceanfront sessions with Penthouse centerfolds, with perfunctory admiration. "
The New York Times needs to heed it's own simple narrative at all times. It needs even more for us to be unaware of any other narratives. This perfectly encapsulates their technique. Mention little, so little you encourage your very customer to continue onward without consideration. Leave enough, however, for you to argue that the notion was in the text if confronted.
Don't trust their coverage of Mexico, nor anything connected. Not that any sane person would trust any of their coverage.
By the way, what was that weapon General Nguyen used? Was that a J frame?
3 comments:
Boo Hoo!
Victor Charlie gets some lead.
There are tears in my eyes too - tears of joy!
I've got that image on a t-shirt.
ARVN's funniest home videos.
Next time post a photo of that burning monk.That's another keeper!
Screw the press, especially NPR!
Good riddance
I'm sure that Chinaman had it coming.
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